Indian Media Companies Expand Globally as Domestic Monetization Challenges Mount
Indian media companies are expanding globally as domestic monetization becomes challenging despite growing consumption. Companies like MovieVerse Studios, SonyLIV, and Chtrbox are forming international partnerships, with overseas users potentially contributing up to 40% of revenues. The expansion addresses domestic challenges including low subscription prices, intense competition, and rising content costs.

*this image is generated using AI for illustrative purposes only.
Indian media companies are increasingly expanding their global footprint as domestic monetization becomes challenging despite continued growth in local consumption. The trend reflects the industry's response to intense competition, pricing pressures, and rising content costs in the home market.
Strategic Global Partnerships
Several major Indian media companies have announced significant international expansions. MovieVerse Studios, the mainstream content arm of IN10 Media Network, partnered with Beacon Media to launch a global content alliance focused on amplifying stories from the Global South. The partnership aims to create a content ecosystem spanning Hollywood, India, West Asia, Africa and Latin America.
SonyLIV, Sony Pictures Networks India's video streaming platform, announced a partnership with YouTube TV and YouTube Primetime Channels to offer subscription services in the US, UK, France, Germany and Australia. Creator company Chtrbox also announced expansion of global operations to West Asia.
| Company | Partnership/Expansion | Target Markets |
|---|---|---|
| MovieVerse Studios | Beacon Media alliance | Hollywood, India, West Asia, Africa, Latin America |
| SonyLIV | YouTube TV partnership | US, UK, France, Germany, Australia |
| Chtrbox | Global operations expansion | West Asia |
Revenue Potential and Market Dynamics
Industry executives indicate that overseas users can contribute up to 40% of overall revenues, depending on platform and audience strategy. Siddharth Devnani, co-founder and chief operating officer at digital agency SoCheers, explained that global markets offer advantages that India cannot provide.
"Global markets offer something that India simply cannot—the breathing space. They pay better and licence smarter. Diaspora-heavy markets deliver higher per-user revenue and stronger content tails," Devnani said. He noted that a South-Asian family in London or Jersey is willing to pay much more than an Indian family managing multiple financial obligations and OTT subscriptions.
Domestic Market Challenges
The Indian media ecosystem faces several monetization hurdles despite growing consumption. The market is characterized by:
- Low subscription prices and advertisement rates under pressure
- Intense competition between platforms fighting for the same audience
- Content costs rising faster than revenues
- Subscription growth plateauing
- Audiences juggling between five to six platforms while paying for only one
- Discounting training consumers to expect cheap content
Devnani described the global push as portfolio diversification, noting that India has matured faster than the business models designed to monetize it. The media ecosystem is crowded, price-sensitive and efficient at cutting margins.
Strategic Focus on Cultural Connections
IN10 Media's partnership with Beacon Media leverages deep economic and cultural ties between India, Saudi Arabia, and the UAE. The alliance will produce feature films, premium series, and micro-series designed for digital-first platforms like Instagram Reels, TikTok, and YouTube Shorts.
Vivek Krishnani, chief executive of MovieVerse Studios, emphasized the cultural significance: "The Global South is home to some of the most dynamic and culturally-rich stories waiting to be told. With this partnership, we are ensuring these culturally-rooted narratives reach the global stage in the most impactful way possible."
Market Advantages and Challenges
Munish Vaid, vice-president at management consultancy Primus Partners, noted that Indian content already has a built-in audience in the US, UK, Australia and parts of Europe, meaning platforms don't start from zero. When content travels beyond diaspora into mainstream international audiences, the upside multiplies through licensing, co-productions and global distribution deals.
However, global expansion presents challenges. Content that works in India may not automatically succeed overseas, requiring adjustments in storytelling, pacing, themes, and marketing for universal appeal. Distribution strategies must also adapt, emphasizing partnerships with global platforms, aggregators and local broadcasters rather than building everything independently.
Narayan Parasuram, director and professor at Somaiya Dhwani Chitram Somaiya Vidyavihar University, Mumbai, highlighted the broader significance: "The sheer size and scale makes the endeavour to reach out to global markets not just profitable but socially significant—to take the storytelling traditions of Bharat, to the world where they belong."

























